CHRISTOPH WOLFF
Harvard University (Emeritus)
“This book, a remarkable model of musical scholarship, discusses expertly and concisely the stylistic placement and context of Bach's Cello Suites, the kind(s) of instrument called for, and the musical design of the various movement types in the suite cycle. It offers up-to-date information on the complex configuration of the manuscript sources and early prints and illuminates the extended performance tradition of the pieces, initially understood as instrumental etudes and only much later—spearheaded by Pablo Casals—as superb concert repertoire.”
JEFFREY SOLOW
Early Music America
“Edward Klorman's book is ... outstandingly comprehensive in scope ... I cannot praise this book highly enough and consider it a must-have for cellists and violists, as well as for any music lover who wants to learn more about the suites themselves.”
CHARLES PIDSLEY
BachCelloSuites.co.uk
"Easy to read and assimilate and strongly recommended.”
Paul Riley
BBC Music Magazine
“Addressing the inquisitive listener, the intrepid performer and the dedicated researcher, Edward Klorman has a rich story to unpack ... Klorman's is an indispensable companion ...”
STEVEN ISSERLIS
Cellist and Author
“An excellent book! Full of interesting information, concisely and readably presented. A fine guide to the six miracles known as the Bach Cello Suites.”
ZLATOMIR FUNG
The Juilliard School
“An engrossing exploration of the myriad ways to play, study, and think about the cello suites. Klorman's thoughtful research makes the music feel more alive than ever. It changed my understanding of the suites and made me eager to practice them again. This book will be a tremendous resource for anyone looking to enrich their perspective on Bach.”
MIRANDA WILSON
Strings
“Klorman's erudite but binge-readable work makes us reconsider Bach's work from a fresh perspective . . . . This must-read book shows that Bach's Cello Suites will continue to have a hold on our imaginations for many years to come.”
LINDSAY KEMP
Gramophone
“Do we need another book on Bach's Cello Suites? It didn't take long for Edward Klorman . . . to convince me. The latest in the New Cambridge Music Handbooks series is very scholarly . . . and very readable, and contains many revelatory insights.”
GEORGE KENNAWAY
Author, Playing the Cello, 1780–1930
“This book is essential reading for anyone interested in the Bach Cello Suites. The scholarship is up-to-date, conclusions are always interesting, myths are dispelled, and the writing is always clear.”
LUCIA SWARTS
Royale Conservatoire of The Hague and Netherlands Bach Society
“A thoroughly researched and eloquent guide to the mysteries behind Bach’s cello suites.”
KEIRAN CAMPBELL
Tafelmusik Baroque Orchestra
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“A well-written and important guide. This book is essential for any music lover who wishes to gain a deeper understanding of Bach’s Cello Suites.”
NANCY NOVEMBER
Music & Letters
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“A concise, highly usable synthesis that will speak to performers and scholars alike ...”
JANET BANKS
The Strad​
“Do we need another book on Bach's Cello Suites? It didn't take long for Edward Klorman ... to convince me. The latest in the New Cambridge Music Handbooks series is very scholarly ... and very readable, and contains many revelatory insights.”